Context and Narrative
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Excercise
Excercise 1.1.1 News Stories
When did colour become part of Street Photography?
Exercise 1.3.1 Take 60 photos of a street 30 Black and White, 30 Colour.
Excercise 1.4.1 Sarah Pickering. “Public Order”.
Excercise 1.5.1 The Manipulated Image.
Excercise 2.1.1 Country Doctor and Bryony Campbell.
Excercise 2.2.1 Relay in Newspaper Stories/Photos.
Excercise 2.2.2 Interpret to a poem.
Excercise 2.3.1 Three Projects.
Excercise 3.1.1 Reflect on Brotherus and Wearing.
Exercise 3.2.1 Lee Morrisey Masquerade.
Exercise 3.2.2 A Childhood Memory
Exercise 3.3.1 Nigel Shafran Washing Up.
Exercise 4.1.1 Elliot Erwitts photo of Dogs. New York 1974.
Excercise 4.2.1 Advert Analysis.
Excercise 5.1.1 Goodfellas!
Excercise 5.2.1 The Seller Nicky Bird.
Excercise 5.2.2 Record a conversation.
Research
Research for Assignment One Life.
Research for Assignment 2 The Unseen.
Research Gregory Crewdson.
Research Reflect on Diane Arbus Essay in Singular Image.
Research for Assignment 3.
Research for Assignment 4.
Research for Assignment 5.
Research. How do my eyes see in Colour?
Martin Parrs Last Resort.
Research. Rossler, Sontag and their views on documentary photography.
Research Point Examples of relay.
Research: Sectarian A Project by Paul Seawright.
Assignment
Assignment 1 Life
Assignment 2 Photographing the unseen. Katabatic Winds.
Assignment 3 Putting yourself in the picture (The Diary).
Assignment 3 Putting yourself in the picture.
Assignment 4 Earthrise.
Assignment 5 Make it up..
Reflections.
Reflections on Assignment 1
Reflections on Assignment Two Katabatic Winds.
Reflection on Context and Narrative.
Reflections on Assignment 3 “Putting yourself in the Picture”.
Reflection on Assignment 4 Earthrise
Reflections on assignment 5. The Ambassadors.
Reflections on Context and Narrative after completion.
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Research for Assignment 4.
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